A curated collection documenting our use of holography and other media to investigate objects, contexts, and cultural meanings through installation and representation.
Computer 'drawings' we made in Japan, 1991-1992. As we witnessed the world's first eBooks and first High-Definition television sets, we reacted by making holograms of books, but we also made our first computer drawings--of books--all the while questioning the future of the book and the cultures it has spawned.
Holography is a form of photography, in the most general meaning of the term. In imagining our own history of holography, we looked to photography and its origins.
Holograms (on glass) of Charles Piazzi-Smyth's glass photographic-plate boxes
When the pandemic struck, we were in our bathroom. With our teaching workshop canceled, we made holograms at home--and did not stop.
Observing the observers at the MIT radio telescope that mapped the moon for the Apollo mission.
Our classic work from 1992, exhibited for the first time in New York alongside works by some of the pioneering artists using computer technology in the 1980s and 90s.
'Marine panoramas' from a fishing boat in the English Channel.
We independently visited India and Cuba in 2008/9
